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Although Argerich has participated in numerous musical partnerships, not to mention her longtime mentoring of young artists, her associations with violinist Gidon Kremer and cellist Mischa Maisky are surely among the pianist's most substantial and musically rewarding collaborations. The present collection includes all of the Argerich/Kremer and Argerich/Maisky duo recordings for Deutsche Grammophon as originally released and in chronological order, allowing listeners the opportunity to trace each duo's evolution in terms of artistic rapport, sensitivity, risk-taking and the fine tuning of nuance.
Any discussion of Beethoven's violin sonatas (CDs 1, 4, 9 & 10) must address the fact that the composer did not designate these works as being "for violin and piano". For example, the first published edition of the "Spring" Sonata op. 24 from October 1801 reads "Sonate pour le Piano Forte," in large letters, followed in smaller print by "avec un Violon." Similarly, the title-page of the first edition of the "Kreutzer" Sonata op. 47 from April 1805 reads "Sonata per il Piano-forte ed un Violino obligato." None of this should be taken to mean that the violin writing plays "second fiddle" to the piano part, so to speak, but rather that both instruments carry equal weight within the musical discourse.
Argerich and Kremer understood this from the start of their recorded Beethoven encounters, originally intended as part of a series encompassing all the violin sonatas, the music for cello and piano with Maisky, plus the five piano concerti with Giuseppe Sinopoli and the Philharmonia Orchestra (in the end, Argerich and Sinopoli recorded only the First and Second Concertos). Initially Argerich expressed apprehension about recording Beethoven, lest her readings might sound self-conscious under the microphone's objective, unforgiving scrutiny. Yet, during an interview conducted prior to the cycle's final sessions, both Argerich and Kremer spoke of using the recording process to look for the unexpected. "It was an inspired idea to match (Argerich) against a violinist so unpredictable as she is herself," wrote Edward Greenfield in Gramophone, "for though there is nothing `safe' about these interpretations, and not everyone will respond to their sparkling, volatile qualities, the liveness of the experience is undeniable."
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170 CDs - DVD - CD-Rom: for completeness, pure musical enjoyment, scholarly research, attractive, space-saving design and price, you cannot afford to be without Brilliant Classics' improved Complete Mozart Edition! Now New & Improved! The Brilliant Classics Complete Mozart Edition, released in 2006, was an international hit, winning rave reviews from critics and customers alike for the quality of the music making and representing great value for money, and has become a standard in itself! Recent research to collect the most scholarly correct performances, numerous new and superior performance replacing previous versions. The interpretation of Mozart's music continues to evolve and, four years after the original release, Brilliant Classics' Complete Mozart Edition has evolved with it. The new recordings by prominent Mozart performers such as Guiliano Carmignola (violin concertos) and Oficina Musicum (La Betulia Liberata) are included. The Packaging: new, completely redesigned packaging means CDs in slipcases and the complete set neatly displayable in a single, attractive space-saving box.. The Enhanced Contents - Brilliant Classics' Complete Mozart Edition contains: 170 CDs representing the entirety of Wolfgang Amadeus Mozart's oeuvre in historically informed Performances; 1 Interactive DVD: The most comprehensive survey of Mozart's life and music, a step-by-step celebration in sound and vision of the creations of a genius.; 1 CD-ROM containing liner notes and performers' biographies in English, librettos and sung texts, complete 2010 Brilliant Classics catalogue; Mozart Interactive - An Interactive DVD by Titus Leber.
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Globally recognized as the ONLY authoritative edition
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CLASSIC's Complete Works of Bach, produced in
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172 CDs - recorded under the direction of Professor
Helmuth Rilling from 1975 to 2000!
Helmuth Rilling was awarded the Grand Prix du
Disque for his landmark recordings of cantatas and
they now enjoy benchmark status. They feature the
great names of the singing world: including Arleen
Augér, Julia Hamari, Aldo Baldin, Dietrich Fischer-
Dieskau, Wolfgang Schöne, Peter Schreier, Andreas
Schmidt accompanied by Gächinger Kantorei, Bach
Collegium Stuttgart, Helmuth Rilling and others.
172 CDs - over 175 hours
1 CD-ROM with 5000 page eBook
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2 books with BWV- (288 pages) and
CD- (144 pages) number listing and
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includes the complete:
Chamber Music, Cantatas,
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From the lighter-than-air ballets to the tormented strains of the Pathetique symphony, here are 60 CDs of sublime Tchaikovsky creations-rare historical recordings aimed squarely at record collectors plus bonus material including a CD-ROM with comprehensive booklet notes and sung texts. Among the illustrious performers: Sviatoslav Richter, Emil Gilels, David Oistrakh, Leonid Kogan, Evgeny Kissin, London Symphony Orchestra, National Choir of the Ukraine, Moscow Philharmonic Orchestra and Radio-Sinfonie-Orchester Stuttgart. If there's a Tchaikovsky piece that's particularly dear to your heart, rest assured: it is here, as this big box contains his complete symphonies, overtures, orchestral works, orchestral suites, ballets, piano concertos, violin concertos, cello works, (DEEP BREATH!), choral works, chamber music, piano works and his ravishing Serenade for Strings !
A superb collection of some of the greatest
performances of Richard Strauss's orchestral,
operatic, chamber and vocal works, brought
together in a stunning 35-CD edition of
fantastic value. The collection begins
with a survey of Strauss's orchestral music, including the supremely popular symphonic poems - Don Juan, Don Quixote, Also sprach Zarathustra, Till Eulenspiegel, Tod und Verklärung, Eine Alpensinfonie and Ein Heldenleben are included, together with comparatively rare orchestral works such as the wonderful Burlesque for piano and orchestra. These recordings, performed by the Staatskapelle Dresden and conducted by Rudolf Kempe, are a particular highlight of this box set,
some of the greatest recordings of the
classical catalogue. Alongside an extensive survey of Strauss's chamber music, performed by major international instrumentalists including Wolfgang Sawallisch (piano), Erno Sebestyen (violin), Wenn-Sinn Yang (cello) and the Sinnoffer Quartet, some of the definitive performances of Strauss's best-loved operas are also featured. In particular, Herbert von Karajan's Der Rosenkavalier remains unsurpassed. This comprehensive box set concludes with 3 CDs of Lieder, including the enduringly popular Vier letzte Lieder sung by
Charlotte Margiono and a disc of historical
recordings accompanied by Richard
Strauss on piano.
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From December on, "Arthur Rubinstein The Complete Album Collection" will be the world's biggest CD edition for a solo artist according to Guinness World Records (TM). It features all the legendary pianist's issued recordings made by RCA Victor between 1940 and 1976, and includes one LP issued on the DECCA label in 1978. The collection also includes the recordings Rubinstein made in England for the English label His Master's Voice (HMV) between 1928 and 1940, most of which were released in the United States by RCA on its Victor label. The collection includes complete studio and live performances, solo, concerto and chamber music repertoire in reproductions of original LP sleeves and labels, the earlier recordings, initially released on 78-rpm discs, appear in three sets with 14 CDs in the edition.
The bonus CDs in this edition (CDs 140-142) contain recordings of his legendary 1961 cycle of ten concerts at New York's Carnegie Hall. They include four works that Rubinstein had never before committed to disc plus two others that represent brand-new additions to his RCA discography.
This edition also boasts the finest sound quality ever bestowed on Arthur Rubinstein's complete recordings. The masters for the principal works in the collection come from the series of Living Stereo SACDs and Japanese XRCDs. All the other recordings are based on masters from the Rubinstein Collection of 1999, technically and sonically refurbished for this edition. In cases where the desired results could not be obtained, Sony Classical has gone back to the original analogue tapes.
The 164-page full-colored hardcover book in landscape format includes new liner notes by Rubinstein biographer Harvey Sachs, photos shot or selected by Arthur Rubinstein's daughter Eva Rubinstein, an essay about the legendary 1961 Carnegie Hall concerts, complete discography in alphabetical and chronological order featuring 78s, 45s and LPs and track listings with complete discographical notes, producer names and matrix nos.
The two bonus DVDs are "Rubinstein Remembered", a documentary tracing the great pianist's life from his origins in Łódź, Poland, through his final concert there in 1975, with interviews from family and friends, newsreels, home movies, TV interviews and performance footage. Narrated by Rubinstein's son John Rubinstein and produced by Peter Rosen and the "The Benefit Recital for Israel 1976" recorded at Ambassador College, Pasadena, California on Jan 15, 1975 featuring works by Beethoven, Schumann, Debussy, Chopin and Mendelssohn.
The "Arthur Rubinstein Complete Album Collection" consists almost entirely of reproductions of vinyl LPs in their original sleeves. The few exceptions that were only released on CD retain their original CD cover. Thus for the first time ever, music lovers have the opportunity of discovering every single one of Rubinstein's original albums in a single issue.
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